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What Makes ‘Thunderbirds Are Go!’ a Practically Perfect Reboot?

I would start this post by telling you when the release date for the second half of Series 1 of ‘Thunderbirds Are Go!’ is, except ITV seem to be keeping it a tightly graded secret. They’ve said it’s supposed to be sometime this month, yet exactly when this month they plan to release it is a mystery.

Nevertheless, there’s never a bad time to tell my watchers just how good this show is, especially since it’s one of my favourite shows. It shouldn’t be long before they announce the release date, so let’s take an in-depth look at what makes this show F.A.B.

It Knows What to Update…

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As with any adaptation, there are countless changes which need to me made. One of the most notable updates in ‘Thunderbirds Are Go!’ is that there are far more stronger female characters than before. The original did have the smart and elegant Lady Penelope, but it also had Tin Tin. Although far from a bad character, in the end, she was little more than a damsel in distress. She’s since been replaced by Kayo, whose got 100 times more spirit than her predecessor, as well as a genuinely interesting back-story relating to the shows main villain, The Hood.

There are other things which have been updated too. The island looks a little less 60’s, the FaceTime screens have been replaced with holograms, the Thunderbirds themselves have updated looks and functionalities, and Brains has become British-Indian. All of these little changes help to not only make the show individual, but also make it better.

…But It Doesn’t Lose Its Nostalgia.

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There are some things from the original show which simply can’t be replaced (some would argue that puppets should have still been used, but we’ll get to that later). From the opening “5…4…3…2…1…” titles, to the enhanced launch sequences of each Thunderbird, to the catchphrases and technical jargon, just about everything which fans of the old show love shows up in some way, shape or fom in the reboot, as well as a few sneaky Easter eggs from other Gery Anderson productions (hence ‘Stingray’ being John’s favourite TV show).

The writers clearly did their homework on the old series too. They might have made some changes to the plot, the most notable one being Jeff Tracy being a missing person instead of the leader of I.R. But, on the whole, the story, characters and format take clear influence from the original show. Perhaps the makers of ‘Catwoman’ (2004) should take notes.

It’s a Case-Study for When Practical and C.G.I. Effects Should be Used.

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It’s ironic that arguably the most iconic thing about the original series was the thing it’s creator hated the most; the puppets. Gery Anderson mastered the scale models with impressive designs and even more impressive destructions. When they were destroyed, they had a genuine impact on the sheer basis that you could feel the weight and scale of these explosions.

The same can’t really be said for the puppets, since Anderson himself hated how stiff and clumsily handled they were. That’s the advantage that C.G.I. has, especially when motion capture is used. Body parts which move more swiftly than before, faces with added emotion, and taking away the need to film real hands for close-up shots add life to the characters.

Furthermore, when you have Weta, the team behind the effects in the ‘Lord of the Rings’ franchise, taking charge if the effects, you can bet that the balance of practical and computer effects will be done to the highest possible standard. Seriously the characters look like puppets with added life!

It Takes a Few Risks.

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When a creative is willing to break a few rules, it makes their project far more exciting to create, purely because no one knows whether or not it would pay off. It was a risk for the crew to re-design all of the machines, especially Thunderbird 5 which looks practically nothing like the original. It was a risk for them to introduce Grandma Tracy, whose most memorable feature is being a dreadful cook. It was a risk for them to make Alan a 16-year-old who rides a space-board as opposed to your usual jet-pack.

Yet, if you ask me, all of these risks do in fact pay off. They give us viewers something new to chew on whilst watching the show, and make us look at the franchise in a different light. I adore the new look of T5, I find it hilarious how oblivious Grandma is to how terrible she actually is at cooking, and, good lord, I want to ride a surf-board in space!

It’s More Merchendisable Than Before.

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When I first saw the new logo, I practically fell in love with it! The diagonal type and enlarged ‘Thunderbirds’ felt reminiscent of the original logo, yet the sans-serif font and sneaky ligature which creates the ‘I.R.’ initials within the same logo made me know instantly that the adaptability of this logo was going to make way for great branding.

You have your classic costumes, figurines and model Tracy Island, but it’s the packaging design which is what makes these toys so inviting. The logo can be used on the packaging in a more vectorised way than in the opening titles, and yet still clearly represent the franchise. Plus, the bold colour palette of night blue and the 5 key colours of the Thunderbirds, as well as the more print-friendly profile images of the Tracy’s (as opposed to the seperstely illustrated profiles used in the 1960’s) make the brand look ready for the toy shop!

Isn’t There Anything Wrong With It?

If I did have to nit-pick, I would say that I’d prefer it if each episode was a tad longer. I think it was right for the team to shorten the episodes since the music is suspenseful and children generally enjoy shorter shows. Yet, at the same time, each episode does seem to go in the blink of an eye, and I find myself at the end of most episodes crying “is it over already?!” With that said, I suppose that’s a good complaint to have. It just shows you how much I enjoy the show whilst watching it!

Summary

On the whole, though, this show is a my prime example of how to make a reboot the right way. It’s got a style which brings in the best of both worlds, it keeps me on the edge of my seat from start to finish, and it’s genuinely well-written stories make me excited to tune in every morning for the next episode.

‘Thunderbirds Are Go!’? I couldn’t have put it better myself!

Published by

Clayton

Clayton

I am a freelance/junior graphic designer based in Carmarthen, Wales. I operate under the brand name ‘Release! Graphics’, a name I chose because of my ambition to "set great designs free". I mostly specialise in print, yet I also have growing skills in animation and web-coding. Equally inspired by modernism and postmodernism, I love to innovate and come up with creative, out-of-the-box ways of making designs both memorable and individual, whilst still remaining functional and legible in everyday use.

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