Top 10 Iconic Adobe Creative Cloud Apps

It shouldn’t be surprising to any of my friends that the highest standard in creative software packages is Adobe Creative Cloud. However, one thing I did find surprising was that when I searched for a list of the top 10 most iconic Creative Cloud Apps, I got no results.

So I thought, “what the hey”, and decided to write one myself.

I’m basing my list more on how well known they are outside of the design community than I am on how useful they actually are for the wide variety of creative products out there. With that said, their functionality will also play a big role in my decision-making, both individually and as part of the overall usage as part of the Adobe CC package.

No.10 – Muse

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Personally speaking, I’m not a huge fan of WYSIWYG website builders, mainly because I think they’re not everything they crack themselves up to be. With that said, the key reason I think this way is because most people are either frightened of code, or simply don’t know how to do it!

That’s why Muse is such a good software for anyone who wants to build a website without any knowledge of HTML or CSS. Unlike a software I’ll mention later in this list, this is the go-to app for anyone looking to get started on designing websites, putting their look before their practicality.

No.9 – Lightroom

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I’ve personally tried using Lightroom a handful of times, and I have to be honest, I can’t work it out for love or money. However, this is a software designed for photographers, as opposed to graphic designers, and most of the friends I have in the photography business wouldn’t know how to cope without this app.

From what I’ve seen, it’s a great tool for cropping and colourising multiple photos, as well as organising groups of similar photos into catalogues.

It might not be the most well-known of softwares, but if you’ve ever looked at a photo collection, don’t be surprised if Lightroom was a key tool used in choosing and refining those pictures you love.

No.8 – Audition

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This is the only one of Adobe CC’s softwares to be designed exclusively for sound-design, making this the primary software for musicians and sound-effects artists.

I’d love to brag about what wonderful things Audition can do, but seeing as the most I’ve ever done on it is an attempt to remove the background music from one song, I’m certainly not the person to ask.

Just be rest-assured that if you’re into the art of sound, Audition is a good software too pick.

No.7 – After Effects

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After Effects is the best place to go for special-effects when using the Adobe CC package, especially those which involve using 2 pieces of footage in one shot. Therefore, just about any hologram, motion-graphic, or chroma-key (i.e. blue/green screen) effect you see in a movie or TV show today would have been achieved using After Effects.

Some advanced examples of how After Effects can be used include the ‘helmet’ shots in the Iron Man films, and the fan-made opening titles to The Walking Dead. But some more subtle uses of After Effects include the Idents and used by news-corporations, such as the BBC and Sky News.

Really, all you need to do to see what great work can come from After Effects is turn the TV on.

No.6 – InDesign

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You’d be hard-pressed to find a design company these days that doesn’t use InDesign. Much like Microsoft Word, this software is designed for text-editing and publishing. Despite the fact that Word is cheeper and more functional for the everyman, InDesign is easily the industry standard in publishing design.

Not only does InDesign it easier to control the leading, tracking, indents, paragraph spaces, etc. which make typography work, but it’s also easier to create drop-caps, create page spreads, and seamlessly combine multiple documents into a whole book.

It can also be good for website design, but if you ask me, there’s still one software more iconic and capable for designing websites to wait for…

No.5 – Illustrator

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Contrary to what you might think from the software’s name, Illustrator is in fact a highly adaptable software for any creative working in the digital arts. In many respects, Illustrator is a superior software to the number one on this list, since it allows someone to design using vectors (solid shapes) as opposed to bitmaps (pixels). This allows for shapes to be more adaptable, curvatures to be smoother, and outlines to look crisper.

From t-shirts to typefaces, from leaflets to logos, and from maps to mascots, there’s an awful lot one can design simply using Illustrator.

It might take some time for someone to get used to bezier arms and the pen tool. Yet personally, this is my favourite of the Adobe CC Package, and I won’t stop using it anytime soon.

No.4 – Premiere Pro

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One of the problems with After Effects is that it takes a long time to load each one of its frames as you test your footage, making it painful for basic video editing. This is why Premiere pro is there better software to use for editing.

I have to be honest and say that I’ve never used this software myself, but from what I can tell, it’s more stripped down than After Effects is, and capable of loading its clips faster. This allows editors to slice away all they like, often creating masterpieces of film.

And if you think this is a software just for the general public, think again. The Sundance Film Festival saw a 130% rise in entries that were cut using Premiere Pro in 2015. Gone Girl, the first ever movie to be edited entirely with Premiere Pro, would not be the same if it weren’t for the Creative Cloud!

No.3 – Dreamweaver

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This software is designed with one thing in mind… development. Whether that be a website, a software, or an app, this is the go-to software for coders.

One part WYSIWYG, one part text-editor, it makes it easier than ever for developers to create sites using this software. Not only can the developer see a near-perfect replica of what they’re creating as they build it, but pre-built templates and segments help the professionals get the divs they want in their sites, and then use their knowledge of code to tweak their sites to be just the way they want them!

For every website created with WordPress, just about every other website would have been created with Dreamweaver. And once you get the hang of it, you can certainly tell why.

No.2 Flash (soon to be re-named ‘Animate’)

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Web-designers typically hate this software, because it’s tendency for slow loading times-and overly complicated UI’s meant hundreds of websites created in the early naughties were butchered.

On the other hand, this is the ideal software for animators and game-designers, especially those who like to keep their work 2D. Not only are the transitions crisp and smooth due to easing, but by adding some ActionScript, it can become entertainingly interactive.

Even if Flash games have fallen out of popularity with the rise of Apple devices, it’s popularity in cartoons like The Tom and Jerry Show show that Flash still has a bright, animated future.

Now, I would usually write a list of honourable mentions for this segment. However, since the majority of apps left in the Adobe CC package are used in the background, it seems rather pointless to make a huge fuss about them. So, let’s just skip to my number one pick…

No.1 – Photoshop

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Sure, InDesign and Illustrator might be the better softwares for graphic designers like myself. But seriously, how can anybody deny the sheer influence that Photoshop has had on both the creative and technological industries?!

Designed especially for photo-manipulation, such as the artwork by Erik Johansson, photoshop isn’t just the software most of us digital-creatives are introduced to. It’s a trademark which has become a verb in its own right, which if you ask me, stapes this as the most iconic the Adobe Creative Suite softwares!

(Sorry, I couldn’t help but include this video too!)

But, perhaps you have a different idea of which one of the Adobe CC Apps is the most iconic. If you think this list needs a different order, feel free to comment below and let me know!

Christmas Traditions You Never Knew Were Commercialised

It’s almost become a cliche to say that Christmas has become too commercialised, that it’s all about buying expensive gifts for one another and John Lewis adverts, and not about the traditional messages of good-will for all men and women.

What you probably don’t realise, however, is that many of the things we typically call ‘traditional’ at christmastime are probably more commercialised than you originally thought. Don’t believe me? Well, just read these examples below…

Father Christmas’s Design

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(Yes, I know even British folk are calling him Santa nowadays, but screw it, I still prefer Father Christmas.)

I remember being told back in primary school that the fat man with the red suit and big, white beard was popularised by the Haddon Sundblom illustrations for Coca Cola. Heck, the company glorifies their ties with his design!

However, it isn’t actually that clear which brand made his design official. There are sources to say that Thomas Nast was the one who popularised the look with his illustrations of the Santa Suit for Harpers Weekly, whilst other sources claim the design came from wooden carvings that were handed out during a 1804 New York Historical Society meeting.

What is clear, though, is that the brands that have helped to influence the overall design of Father Christmas took great inspiration from the Clement Clarke Moore poem, ‘A Visit from St. Nicholas’ (1823) (better known as ‘The Night Before Christmas’).

Rudolph the Red-Nosed Reindeer

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Yet another tradition influenced by ‘A Visit from St. Nicholas’ is the names of Father Christmas’s eight reindeer. Whilst Rudolph was invented long after the poem was written, he has pretty much become synonymous with the flying reindeer in present day. And as we all know, he was first conceived in that classic Christmas song. Right? Wrong!

Back in the 1930’s, the American retail-enterprise, Montgomery Ward, handed out free colouring books to children. However, they decided to produce their own books to save on the financial costs of buying others. And thus, they hired Robert L. May to create Rudolph as the face for their own-brand colouring books. It would be another 10 years before May allowed his brother-in-law, Johnny Marks, to convert the words of that book into the song we all know and love.

Initially, May didn’t own the copyright to Rudolph, and didn’t receive any royalties for his work. However, Montgomery Ward handed the copyright over to him, since his wife was terminally ill, and they wanted to help him pay for debt he was in from having to pay for medical bills.

Robins on Christmas Cards

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This is probably the most surprising of all Christmas traditions, in terms of which are commercialised and which aren’t. Many of us would like to believe that the distinctively British tradition of red-breasted robins as a symbol of Christmas is because of their prevalence during the winter.

Yet the reason we see robins on cards is because they were intended to be a joke. Back in the 1800’s, British postmen wore bright-red uniforms to match the branding of The Royal Mail, which gave them the nickname ‘robins’. And, of course, it was the 19th Century when some of our most familiar traditions came about, such as Mince Pies and Christmas Trees.

Therefore, illustrators caught onto the link between robins and their delivery of cards to people’s doors every winter, and out the robins on the front of Christmas Cards as a homage to the men who made card-giving possible. Thankfully, the tradition still lives on today, in large part due to the Royal Mail never losing its distinctive shade of red.

What about you? Do you think there are any Christmas traditions which are surprisingly commercial when you look into their origins? If so, let me know in the comment section below!

And regardless, have a Merry Christmas and a Happy New Year!

Why I Love ‘Design Swansea’ Meet-Ups

I was absolutely gutted last week when I missed a‘Design Swansea’ meet-up for the first time. Ever since I first learnt about them, I’ve attended every single month. It’s just a shame that the date of this months clashed with pre-booked events.

So, to make up for it, I thought this’d be a good time to explain why I love going to these meet-ups. Furthermore, it might be nice to give you, my readers, an insight into why going to any sort of meet-up is worth the journey.

I Always Learn Something New.

Every time I attend, I always make sure to bring something I can write on. There are so many new things I can learn, and perhaps even research into further, I just need something to get it all down on. I find it hard to think of a presentation I’ve seen which I didn’t find to be worth listening to in one way or another, which shows you just how intriguing they are.

After all, my blog post before this one was actually inspired by a statistic that was mentioned in one the talks I listened to. He might have talked at the speed of lightning, but, hey, he’s a highly enjoyable character, and it allows me to practice my short-hand!

I Can Get Some Free Advice.

Nobody is perfect at their profession. Even those who are most dedicated to their work can either make a mistake or just not know where to go. So, it only makes sense, for when someeone in a profession like mine gets stuck, to turn to someone I can trust for advice.

These meet-ups are fantastic places for that. I was struggling one time to get a piece of HTML right, and after a short conversation with Gareth Evans (who I believe also designed the meet-up logo), I asked him if he could think of where the problem was from the screenshot I showed him. Kindly, he offered me some advice as to what the correct code to enter was. If I didn’t meet him at this meet up, I’d still be struggling right now.

I Can Get Away from the Computer.

This isn’t just a concern for graphic designers, as at least half of all jobs now requite some sort of computer work. And even if you’re on that computer doing a job you enjoy, it’s hardly ideal to be stuck in front of a screen, day in and day out, for the rest of your life.

That’s why it’s nice to have an event for us designers to go to where we can break the deadly cycle and actually interact with others. We can talk about how we’re doing in life, and as mentioned earlier, we can bounce both advice, and opinions, off one another.

It Allows for a Friendly Rivalry.

Seeing as the majority of us are either freelancers or working for rival companies, it can be easy for us to start bearing grudges against one another. After all, business is based on competition. With that said, it’s always wise to avoid making enemies as much as possible, since the majority of job opportunities come from those we know.

That’s why it’s good to have an environment were we can interact like this, because it shows that we’re comfortable with being where we are and not fussed as to whether we’re better or worse than any of our competitors. Nobody goes to these meet-ups just to wine and moan, we all go to to just relax and talk about the jobs we love doing.

I Can Be Myself.

I know it’s a cliched thing to say, but I can really be myself. These meet-ups are far less restrained than an office would be, not requiring me to conform to a dress code or work to a deadline. Plus, I don’t just have to talk about graphic things. The first day I ever went there, I spent a whole hour just talking to Gemma Williams about what kind of films we enjoyed.

And why is it good to be myself at a place like this? Because by showing the kind of person I am, it helps me to befriend those who share the same love for the design industry that I have.

And A Bonus… Free Pizza!

Hey, you can’t really go wrong with that!

Why Do We Lose Our Creativity As We Grow Up (And How We Can Prevent It)?

During a presentation held by a highly enthusiastic Dan Spain at my nearest meet-up, he talked about a 2006 survey held by Sir Ken Robinson. In the survey, 1,600 children were tested to see how many of them were ‘highly creative’ (or more specifically, how many could think in “divergent or non-linear ways”) at various stages of their life.

Frighteningly, he discovered that despite 98% of them being highly creative aged 5, that dropped to just 2% by the time those same children were 25.

(AUTHORS NOTE: I’ve since been corrected that it was in fact George land who did the survey, not Ken Robinson. Thanks a lot, Google!)

As I left that night, I asked myself why we drastically lose our creativity as we get older. What I came up with were a variety of factors and a variety of ways we, as grown ups, can get around it.

We’re Not Looking After Our Bodies As Well As We Should.

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We privileged westerners often end up living unhealthy lifestyles, which can include too few vegetables in our stomachs, and too many un-earnt pints at the local pub. And, there’s plenty of evidence to prove that having an unhealthy body can lead to having an unhealthy mind.

Furthermore, graphic designers can spend long, long hours sat in front of the computer, staring at bright screens with square eyes, and eating way more carbohydrates than one can burn.

This is why looking after your body is important. You don’t have to be a health-fanatic by any means, but little things like keeping an eye on what you eat, exercising, quitting bad habits, and only treating oneself in moderation, can make a big difference. Keeping your body and mind healthy will allow you to hold onto its creative juices the longer you live.

We Have a Dumb Idea of What Makes Someone ‘Smart’.

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Whilst I’m probably more respectful for our education system than most of my friends are, mainly because I’m just glad it’s compulsory, I do think it can do with some patching up.

Partially to blame on society, it tends to be overly dependant on revision and memory, when rationality and innovation are greatly underrated aspects to ones intelligence. One of my ongoing clients explains this astonishingly in one of his articles (and if having a grizzly-bear alter-ego isn’t a creative outlet, I don’t know what is).

Slowly but surely, our society needs to change the way we classify ‘intelligence’, and see that there’s more than one way someone can be smart. It’s not all about remembering the facts, it’s also about experimentation, discovery, defensive skills, and determination.

Computers Have Made It Too Easy to Find Answers.

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One of the biggest faults of the Digital Age is that, quite literally, we can Google any question for almost any answer. Problem-solving is a vital part of divergent thinking, so the fact that we live in an a time where programs solve the problems for us means we’re not exercising our brains for finding the answers ourselves. Some professions require problem-solving skills as standard, but that’s a rarity.

It might sound like a no-brainer, but if your job doesn’t require those skills as much as others do, brain-teasers and puzzles are a good way of entertainingly training your head (Sudoku is a favourite of mine). Or, rock-climbing and orienteering can challenge your brain whilst giving you a breath of fresh air.

Whatever it is you’re doing, make sure you exercise your mind to avoid taking everything at point blanc.

We’ve Put Our Lust for Money Before Our True Passions.

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If you ask me, society has wildly over-glamorised money. From what I see, most high-paying jobs are extraordinarily stressful, and people in these positions barely have the time or energy to enjoy the things they buy. Furthermore, it’s not helped when those in higher positions disregard creative roles as ‘proper careers’.

So for one thing, let’s realise that the creative industry is perhaps more valuable than one may have first thought. To put it bluntly, it’s worth £71billion in the U.K., and $698billion (approx. £453billion) in the U.S.A.

Secondly, perhaps we should start measuring wealth by how much life one has lived. You really don’t need to buy 1,000 things you’ll never use! If you have a creative job you genuinely enjoy, so long as you can earn enough to survive, you’re better off using the rest of your energy living the short life you have with your friends and family.

After all, if I can survive with just Nokia 130 and without the latest iPhone, I think you can too.

We’re Scared of Trying (and Understanding) Anything New.

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I have come to discover that even the most open-minded people, despite good intentions, can struggle to look at creations which aren’t ‘standard’, and realise that it might have been beneficial to break an unwritten rule to two.

A fantastic example of this is ‘Bohemian Rhapsody’. Extraordinary and unconventional, it originally received mixed reviews, and a comment from Elton John saying “you’ll never get that on the radio”. 40 years on, it’s one of the greatest pop-songs of all time, as well as one of the most played ones on British radio.

This might be challenging, but if you see/hear a piece you don’t like, don’t just give it a thumbs down. Take a moment to question why other people enjoy things you don’t like, and not only will it allow you to see understand from a different point of view, but it might even turn that thumbs down upside-down.