What Would Happen if the Internet Destroyed All Other Media?

There’s been a lot of news recently regarding how much the internet is changing the face of media. Not only has BBC3 become the first TV channel to move entirely online, but The Indepentant announced that it would be going the same way, and people are already asking whether or not Britain’s newest newspaper, New Day, will survive in a digital age.

Not only did this make me wonder what would happen to the media industry if everything moved to being online, but also to the creative industry. Therefore, I decided to examine this possibility, and have listed the most likely changes that would happen for us creatives.

A World of Coders

I’ll start with the most obvious change; coding would become an essential skill for nearly all creatives. It’s thought that IT jobs will grow by 22% by 2020, and if more creative careers become anchored in the world wide web, knowing at least a little bit of HTML or CSS would become a priority.

Physical Products Become Upmarket

Predictably, as more people would become adjusted to digital tools, those who are traditionally skilled would become much rarer than digital creators. Therefore, traditional craftsmen would be able (and required) to charge more for their one-of-a-kind products, as well as focus on quality.

Digital Fundimentalism

Fundamentalism is a design-style that was extremely popular during the Modern Age that focused on geometry and ‘less is more’. Not only does this bring focus to the layout of a page, but it would be useful for reducing unnecessary data for a web-page. Therefore, geometric websites and brands in would most likely going to become the dominant aesthetic.

The Return of Retro

For every person who looks to the future, there’ll be one who’ll relish in the past. Therefore, there would most likely be a subculture of creatives who’d specialise in old-fashioned styles. Signs of this are already apparent, as the music-scene is shifting away from EDM into more folk-orientated sounds.

The Fall of Live Broadcasting

Almost every web-page has the option to leave a comment, so the chance to voice your opinion has never been easier. Not only that, but pre-recorded shows are easier to watch as more people become increasingly flexible with their daily routines. Putting both aspects into consideration, it would seem that live shows would most likely to decrease in viewership.

Rising Advertising Prices

Most things people expect to find online are free, so that would only leave advertising revenue as the way people to make money of their websites. Combined with the lack of space available on one page to market, adverts would most likely become more expensive.

More Aggressive Adverts

Another thing to consider is that unlike the old-days, we now have the ability to either hide static adverts, or skip video-adverts after their first 5 seconds. With this in mind, many advertising agencies would have to think about the even smaller time-span they have to get the brands they’re selling noticed.

Extreme Target Marketing

Unlike the older days, when TV shows were watched by family members of all ages, we’re seeing an increase in people using personal devices to watch their favourite shows. This means the family-market could decline, and brands would become more targeted towards specific demographics.

Is a Completely Online World a Good Thing or Bad Thing?

In all honesty, I don’t really think it’s fair to say whether or not a completely online world would be good or bad. Evolution brings both positive and negative effects to just about any kind of industry or society, and usually in equal measure.

The purpose of this post wasn’t to be a warning, neither was it to be a demand. it’s simply a nudge to suggest what could happen, and if so, how we should adapt out skills to fit into the changing environment.

Perhaps you think differently, though. You might think the creative industry might change in a different way, or you have an opinion as to whether it would be for better or worse. If so, feel free to comment about it below.

Creative People with Creative Ways to Sell Themselves

Sometimes, it isn’t just the art someone produces which makes them famous, but the way the artist sells themself which makes us look at them. That’s why I’m taking a look at some people who work in the creative industry that have managed to make a name for themselves by means which are out-of-the-box.

Just to be clear, I’m focusing on individuals and small groups, as opposed to big companies which used clever marketing tactics to make us buy their goods.

Also, I’m only looking at people with creative professions, so I’m excluding cases like Alfred Ajani holding up a sign in Waterloo Station. It’s a story worth reading, but not quite right for this list.

James Addison – ‘Puzzles for Postmen’

A talented graphic designer who graduated from Bournmouth in 2011, James Addison hasn’t just put his name on the map because of the big companies he’s designed for, but also for the ingenious ways in which he teases our Royal Mail.

Rather than use the standard address format, what James likes to do is send letters to various secret addresses in a variety of cryptic ways. From drawing the location on the envelope, to writing the address in morse code, James (to the annoyance of the Royal Mail) has inspired other creative souls to find equally challenging ways of getting their letters sent.

LESSON TO LEARN: Doing something unconventional will most-likely grab peoples attention.

My Dog Sighs – ‘Free Art Friday’

Artists are often incredibly reluctant to give some of their work away for free, but My Dog Sighs is an accepttion. The difference with him is that he only gave his art away on Fridays, and would give clues for people to find where the art was. Then, it was up to his followers to take part in a scavenger-hunt for that secret place and get a free piece of his art.

Now only was this trend popular with his followers, but it was so popular, that it spread to other artists from all around the world, and My Dog Sighs was the man who started it all.

LESSON TO LEARN: Encourage brand-loyalty by giving your customers a reason to keep track of the work you’re producing.

Maria Malone-Guerbaa – ‘Famous Face-Paints’

Maria-Malone-Guerbaa
A mother of two from London, Maria Malone-Guerbaa, despite working for various TV shows as a make-up artist, never found a way to make a name for herself. That was until one day when she decided to combine her make-up skills with those she has an an artist, and see if she can transform herself into different celebrities with nothing – yes, nothing – but face-paint.

With each painting taking approximately 4 hours to complete, she’s gained an immense following on Instagram, she has recently expanded her skills into transforming herself into animals. She has also had multiple media-appearances, and become involved in a variety of make-up based competitions.

LESSON TO LEARN: Sometimes, finding a niche where you can use your talents is enough to make someone want to follow you.

The Clarion Quartet – ‘Having a Jam in the Traffic Jam’

Between junctions 26 and 27 in the M5, a massive traffic-jam was caused when a horse escaped it’s horse box and ran rampant in the road. The quartet in question, on their way home from performing at a wedding ceremony, were also caught in the jam. So, as bored as everyone else was, they decided to step out of their vehicle, and play Pachelbel’s ‘Canon in D’ live on the motorway.

It wasn’t long before an audience crowded around them, video-phones at the ready, and were given a round of applause once they finished their piece. And, as you can guess, it was media-appearances all the way from there-on.

LESSON TO LEARN: If you see an opportunity to make your voice heard, you might-as-well take it.

Ben Wilson – ‘The Spitting Image’

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Don’t you just hate it when you see a pavement that’s littered with chewing gum? Well, so did painter and sculptor, Ben Wilson. So, being the son of an artist, and a graduate from art-school, he decided to brighten both people’s spirits and streets by getting on his hands and knees, and painting tiny paintings into the individual pieces of spat-out gum

He was once arrested by police for allegedly vandalising property, yet was released without charge after a wave of supporters wrote letters demanding to set him free. He went full-time doing his chewing gum paintings in 2004, and still gets media-appearances for it to this day.

LESSON TO LEARN: Producing work that can turn a negative into a positive can make you popular.

Doug Walker – ‘Calling it Quits’

Whilst working as an illustrator, Doug used his spare time to make comedic videos of film-reviews. After discovering he was making enough money from the reviews alone, he decided to quit his job in the most OTT way possible, by parading around his workplace to ‘Bohomian Rhapsody’ and putting the clip on the web.

It’s an extremely risky move to make (and one I’d never try in a-million years), but seeing as his reviews have remained successful, even labelling him as one of the Top 10 YouTube Movie Critics according to WatchMojo.com, I’d say it was a successful move.

LESSON TO LEARN: Not everyone will like what you do, but if your target market is going to enjoy something you want to do, it’s a chance worth taking.

Christmas Traditions You Never Knew Were Commercialised

It’s almost become a cliche to say that Christmas has become too commercialised, that it’s all about buying expensive gifts for one another and John Lewis adverts, and not about the traditional messages of good-will for all men and women.

What you probably don’t realise, however, is that many of the things we typically call ‘traditional’ at christmastime are probably more commercialised than you originally thought. Don’t believe me? Well, just read these examples below…

Father Christmas’s Design

commercial christmas santa
(Yes, I know even British folk are calling him Santa nowadays, but screw it, I still prefer Father Christmas.)

I remember being told back in primary school that the fat man with the red suit and big, white beard was popularised by the Haddon Sundblom illustrations for Coca Cola. Heck, the company glorifies their ties with his design!

However, it isn’t actually that clear which brand made his design official. There are sources to say that Thomas Nast was the one who popularised the look with his illustrations of the Santa Suit for Harpers Weekly, whilst other sources claim the design came from wooden carvings that were handed out during a 1804 New York Historical Society meeting.

What is clear, though, is that the brands that have helped to influence the overall design of Father Christmas took great inspiration from the Clement Clarke Moore poem, ‘A Visit from St. Nicholas’ (1823) (better known as ‘The Night Before Christmas’).

Rudolph the Red-Nosed Reindeer

commercial christmas rudolph
Yet another tradition influenced by ‘A Visit from St. Nicholas’ is the names of Father Christmas’s eight reindeer. Whilst Rudolph was invented long after the poem was written, he has pretty much become synonymous with the flying reindeer in present day. And as we all know, he was first conceived in that classic Christmas song. Right? Wrong!

Back in the 1930’s, the American retail-enterprise, Montgomery Ward, handed out free colouring books to children. However, they decided to produce their own books to save on the financial costs of buying others. And thus, they hired Robert L. May to create Rudolph as the face for their own-brand colouring books. It would be another 10 years before May allowed his brother-in-law, Johnny Marks, to convert the words of that book into the song we all know and love.

Initially, May didn’t own the copyright to Rudolph, and didn’t receive any royalties for his work. However, Montgomery Ward handed the copyright over to him, since his wife was terminally ill, and they wanted to help him pay for debt he was in from having to pay for medical bills.

Robins on Christmas Cards

commercial christmas robin
This is probably the most surprising of all Christmas traditions, in terms of which are commercialised and which aren’t. Many of us would like to believe that the distinctively British tradition of red-breasted robins as a symbol of Christmas is because of their prevalence during the winter.

Yet the reason we see robins on cards is because they were intended to be a joke. Back in the 1800’s, British postmen wore bright-red uniforms to match the branding of The Royal Mail, which gave them the nickname ‘robins’. And, of course, it was the 19th Century when some of our most familiar traditions came about, such as Mince Pies and Christmas Trees.

Therefore, illustrators caught onto the link between robins and their delivery of cards to people’s doors every winter, and out the robins on the front of Christmas Cards as a homage to the men who made card-giving possible. Thankfully, the tradition still lives on today, in large part due to the Royal Mail never losing its distinctive shade of red.

What about you? Do you think there are any Christmas traditions which are surprisingly commercial when you look into their origins? If so, let me know in the comment section below!

And regardless, have a Merry Christmas and a Happy New Year!